Friday, 28 April 2017

Where Are You, Shugufta?




That day was an April, just like today: peach blossoms jostling almond. Your valley was all pink and white, and yellow too with endless fields of mustard. Inside a little musty schoolroom, they invited me to set shop. A rickety table, a little patient stool filched from the Health Centre next door and a wooden students' bench.You were my interpreter and this bench was for you. I don't remember whether it was you who had smiled first or whether it was me, but I know that it was a smile which had cracked the ice. All through my day you deciphered illnesses for me, from your Kashmiri into my Hindi, a little broken, peppered with an occasional speck of English. And when they brought in the samovar, you poured for me the golden kehwa, into two small cracked China cups. Then in that saffron scented recess, we spoke, you and I, spoke slow and long as the tea at first warmed our chilled palms and then itself grew cold. I remember your eyes; they were kohl lined, large, luminous and you tipped your scarf-covered head to one side, looking at me with such indulgent awe. I marvelled in turn, at your porcelain skin, the two spots of apple pink on your cheeks and your endless eagerness to rise in life. It was not that there were no walls between us. Your spotless white hijab. My vermillion sindoor and big maroon bindi. Your Kunan and Poshpora. My town's wailing widow draped over a Tricoloured casket. Your streets barricaded by wooden faced soldiers with pointing guns. My home's soldier mother, in vigil before her silent phone.Your screaming brother dragged away into the silence of the night. My hospital overflowing with ambushed soldiers, reeking of death and dying. But that day we did not speak of these things.We pushed them away, pushed these sad things far away, back into the deep recesses of our minds. Instead, we unzipped our souls and talked, of light and laughter and living. You told me you were Shugufta.That you wanted to be a doctor, just like me. Asked me the best way to clear the entrance examinations. We talked about the best place to graduate. You told me you would enrol soon at a college at Anantnag. The day grew old over many, many cups of kehwa and yet our talk was not done.You asked me for my address but I couldn't give it to you. I should have taken yours but I didn't, big fool I. Went back home and wrote your name in my diary so that I wouldn't forget, 'Shugufta of Traal!' But I needn't have worried about forgetting, for even today, a cup of kehwa redolent with saffron takes me back to you and your kohl-lined eager eyes.

Who is that little girl in the picture, Shugufta? So tiny and so frail. She reminds me of you, Shugufta, so much like you yet so much unlike you. Will she be able to hold all that anger and resentment within her little body? I'm so terribly afraid that she'll simply get blown away, like straw in the wind or explode into nothingness.......
What does she want, Shugufta? Does she at all know what she wants? Does she not want the same light and laughter and life, like you and I did then? Can you not teach her to push dark things away, shut those unhappy, unhinged voices of hate that whisper in her ears, just like you did then? Can you not teach her to break walls like you did then, with saffron scented kehwa and a smile exchanged sans old hurts? Can you not teach her your magic, that ageless magic with which you bound me for life? Where are you, Shugufta? She needs you, this little girl. She could be your daughter, Shugufta. Just as she could be mine.

Sunday, 23 April 2017

Of Teas and Things....


This post is one I'm sure all my tea drinking readers will relate to, for it's a tiny paen to tea.

What I know about the history of tea (without consulting WikiBaba) is not much except about how in the ancient times, a Chinese Buddhist monk after having accidentally dropped some leaves from a tea tree (yes, its a tree not a bush for if not pruned, a tea tree grows upto 10 feet) into a pot of boiling water, tasted the resultant brew and found to his happy surprise that he felt fresh and awake. And that is how, through the Chinese grapevine, it is said that the popularity of tea grew and spread far and wide.

But this is not a history lesson on tea and so I'll not talk of how tea took root in India courtesy the British Burra Sahib and how in the Colonial times, desi bahus drinking tea were the hapless recipients of snide comments such as "....thinks she is a very big Memsaab".

We have come a long way since those dark days of tea to the present, when tea is a culture in our country, a culture and a way of life.

And I am a tea- lover, adoring tea in all its avatars.

I love chai as it is drunk in most of Northern India, a thick latte, brewed to kingdom come. I remember brewing chai at the crack of dawn in Shillong, shivering in my cold kitchen as the aroma of adrak and elaichi filled my morning. In fact, the only reason I would wake up that early along with the insomniac of a cockerel next door, was that I loved sitting on the stairs of my doorway, monkey cap snug on my head, palms cocooning my huge tea mug, watching the dawn grow older, its mists mingling with steam from my tea cup. I recall how I pounded ginger (waking up my upstair neighbour with the din) , a single peppercorn, two cloves, an elaichi, a sliver of cinnamon, a few aniseeds (a trick taught to me by my house help) and a small bay leaf (for this I owe my thanks to a dear friend) in my brass mortar and pestle and then brewed milk, water, tea (only CTC, the more kadak the better) and the masala for about eight or nine minutes on a really low flame till the colour of the brew looked right and the fragrance woke up Kuttush who came sniffing to investigate.

Though I love chai, I'm rather partial to tea made the English way, steeped not brewed (apologies to James Bond). But I'm told nowadays most English people use tea bags instead of leaf tea. What a lamentable fall in standards......

In our country, thankfully, tea bag (dip-dip chai) is confined to the Rajdhani Expresses and the odd hapless VIP bureaucrat who goes on government inspections. Instead, we have leaf teas available all over the country at reasonable prices and I can say with conviction that they are all of excellent vintage. 

I'll begin with Palampur since at present I'm somewhere close. Kangra leaf tea is very light and comes with a generous dose of still green leaves mixed in with the black leaves. I'm still not too clear why these leaves are still green but then it doesn't really matter because the flavour of this tea is extremely good. I'm using a pack now and I feel that it is best drunk without added milk. Then there is the divine Temi Tea of Sikkim, produced by the Sikkimese government. I'm not an expert on teas but I personally feel that it can rival even the famed Makaibari..... And finally, no gossip of leaf teas in my life is complete without a mention of the leaf tea from Shillong from the Sharawn Tea Gardens, located just outside the city. Now this tea is also known as Sohrynkham tea and is sold only in a few departmental stores in that city. It has an interesting flavour, very distinct from the other teas I've drunk and is actually sweet, even without sugar added. I love it and having left Shillong many years ago, I dearly miss it as the tea doesn't seem to be available outside of Shillong, not even at Guwahati. But before I move on from the topic of the Sohrynkham tea, I must tell you a funny anecdote related to this brew. While living in Shillong, I had gone one evening to the local departmental store and was browsing around its shelves when I heard a fellow shopper, a young man ask the storekeeper, 

"Aapke pas Shah Rukh Khan chai nahin hai?"

Intrigued, I perked my ears.

The store clerk was stumped, "Shah Rukh Khan chai??????"

Both me and the store-clerk at first assumed that the young fellow was either severely mistaken or more likely, absolutely deluded. 

Then, the answer hit us both simultaneously!!!

SOH-RYN- KHAM....
SHAH-RUKH-KHAN...

Of course!!!

I remember both of us laughing our guts out while the ShahRukhKhan chai customer looked on, sheepish grin on his face.

Leaf tea is an acquired taste and preparing it a highly specialised skill. You need leaf tea of course, a ceramic tea pot with a strainer at its base, a tea cozy (get one from the Kashmir Emporium, they have nice ones, expensive but nice), a teaspoon, some pretty tea cups (saucers are mandatory) and finally a timer (use the one on your cellphone). The tea measure is a teaspoon of leaf for each cup and a little extra, for the pot as they say. Take water from your tap, not from the RO machine and bring it to boil ( DON'T over-boil, please). Warm the tea pot by rinsing it with warm water. Then spoon in the tea leaves, pour the freshly boiled water, place the tea cozy, set the timer for four to five minutes and fiddle with your Whatsapp (or better still, read my blog) till the timer rings. Pour the tea, add one teaspoon of milk (use a TetraPak milk like Amul), one to two sugar cubes, stir once and relish your tea as if it were Chianti or the finest Port.

Other Half doesn't like tea. And since tea, like good whisky, is savoured best only in company, my tea soirées are spoiled because they are invariably with a solitary participant, me. So today, in order to pull him into my tea party, I made Mint Tea. Mint Tea is a misnomer for it is actually a tisane rather than chai, with no tea leaves in it at all.

I picked some mint leaves from my garden, boiled them lightly with tap water, muddled them a bit with my mortar, strained the liquor into cups, added honey and a few drops of lemon juice and my mint tisane was ready.

Not bragging but it was a hit. And not just that, it was the inspiration for this post.

PS: Hoping my post is able to inspire the tea haters/ coffee addicts amongst my readers to try their hands at some tea making now.....
Do keep me posted.



Wednesday, 19 April 2017

The Old Man and his Mirror


Caught a saying the other day by someone called Carol Grace. It said,
"There is no old age.
There is, as there always was,
Only you!"

It sounded great. And rang very true. 

Yet I couldn't help but think: whatever internet quotes say, the sad reality is that even if you believe that you are still 'you', the world around will persist in ceaselessly reinforcing that you are simply, old.....!

Hence, this piece.

The Old Man and his Mirror

Each morning I meet my mirror:
On agenda, the old usuals-
Brush, shave, comb.

We are good friends-
My mirror and I;
It tells me sundry things:
The drop of shaving foam sticking to my chin.
The need to get a haircut soon.
My lips chapped by our bone dry summer.
The patch of dryness on my left cheek.
The pinpoint of a pimple beneath my nose.
And for my puffy eyes,
(Remnant of last night's scotch-on-the-rocks)
It directs a brief rebuke.

I take my walk in the park.
There are summer bougainvilleas:
Rani pink,
Bright.
Just like the ones that grew in school.

Under yellow amaltas
Lovers sit;
Her head on his shoulders.
His arm draped around her.
Wisps of desire, 
Plumes of tendré,
Scent the air
And waft around me.

A naughty toddler splashes
In a mud brown puddle
Leftover from yesterday's surprise shower;
Giggling as he stirs the water
With his shiny sneakers.
His glee whirls up
And dances around me.

At the Girls' College gate
The phuchkawallah is doing brisk business.
Chattering girls relish his wares...
Slivers of tang, spice and heat rise up,
Ping my taste buds.

The Metro Station is crowded.
And so is my train.
Having given my car a day off
I push and jostle into a coach.
Inside, all seats are taken.
More jostling but I plant my feet firm
And grab the hand holds above,
Before a seated girl
In bright fuschia skirt
Deep pink ear hoops
All curves and sinuous lines 
And lips painted shiny mauve.

The train lurches.
The girl in pink stands up
Pink hoops dangling;
Gestures to her empty seat.
For me? I'm surprised.
But she's smiling a condescending smile.
'My-Good-Deed-for-the-Day' smile.
Others around are smiling too:
Complicit, encouraging.
Cowed
I take that empty seat.
Look up
And catch her eye:
Dark kajal
Lush lashes
Brown irises
Black pupils;
And in them, reflected-
Me.
Faint stoop.
Thick specs.
Gray hair.
Deep wrinkles
(Good Lord, so many!).

An old man.

I don't trust my mirror anymore:
It's a liar.

Tuesday, 18 April 2017

Playing Poetry!

This week has been all about poetry. And now I am addicted. With many readers of my last post (a poem) being both appreciative and encouraging, I found myself getting more and more interested in this genre of writing. Of course, I don’t really know whether they are just being kind, my readers or whether they actually like my work; nevertheless being bitten by the poetry bug, I think, I have at this moment a very serious disease called 'poetricaemia' (sic!).

I was never a poetry buff but this last week I did a lot of poetry reading, both the classic poets such as Walt Whitman, Emily Dickinson and Robert Frost as well as the relatively modern poets like Mary Angelou and even Vijay Sarabhai, the man who won the 2014 Pulitzer for poetry. The classics of course retain their classical appeal but the modern writings were simply too cryptic for me. And this obscurantism is enhanced further by the modern poet’s obsession with free verse. In fact in many poems, the verse is so free that if you remove the stanzas and place the sentences in a single line, it is indistinguishable from plain prose. And very bad prose, I may add. The metaphors too are so obscure that it gives the impression that the value of a modern poem is based on the level of obscurity. But then, literature like clothes is a matter of one’s own individual tastes; and modern poetry can be likened to haute couture, something that need not have universal appeal.
Any way, it just so happened that a friend sent me a link to a poetry contest organised on the internet by a leading publication house. When I checked the contest rules I found them to be simple, a six lined rhyming poem on Love.The prospect of a shortcut to fame whipped me onto a poem composing spree and soon I had produced two poems in a matter of an hour, a no mean achievement. Of course, I did not win any prizes, not even a 'consolation' prize nor a 'commendable effort' mention. Though this did dampen my poetic enthusiasm but not for long. So here I am, ready to inflict 'factory seconds' (my rejected pieces) on my poor blog audience!

But before I post them, let me tell you the Terms of Reference or the rules of this poetry contest.
1. The poem was to be of ONLY six lines.
2. It had to be of the rhyming kinds. (No free verse here). Any rhyming scheme would do viz. ababab/aabbaabb/ababcdcd.
3. The theme was Love.

Easy and simple, don't you think?

Well here are my entries:
1. This was the first one:

ADORATION

I scan your face,
For Love's trace,
I delve into your eyes, deep.

Then when you smile,
Even if awhile,
I'm content, I sleep!

2. This was the second one. (A little cheeky, I know.)

To TOI BOOKS (They were the venerable Organisers)

In six lines bind Love??
'Tis impossible, methinks,
Even for the Great White Dove!

Instead, come set Love free-
With the White Dove, to glide,
Over Rhyme's lyrical sea......!

And these were the winners:





Do tell me the ones you like the best....

Sunday, 16 April 2017

For Mary!


Rummaging through old trunks the other day, I came across my Box of Treasures. About six inches by six inches and made of dark wood, its the kind of box that you often spot at handicraft melas, at the Colaba Causeway kind of street markets and of course at Dilli Haat. Mine was bought nearly twenty years back, a gift from an old friend. Its probably Rajasthani in origin or maybe Kashmiri; I'm not really too sure. But its beautiful, with leaves and flowers and vines carved on the lid and all around and I use it to store what I call my 'treasures'.

I think all women possess a little 'box of treasures', especially those born under the sign of the crab ( I'm a part time believer in astrology). They say we do it because we are emotional hoarders, hoarding both things and feelings......!

I was seeing the box after almost three years and I happily rummaged through its eclectic contents....a beige and brown hoopoe feather, a tiny lac hand mirror, a wire finger ring, a yellow ceramic incense holder, two fading photographs, some pressed flowers, a thin ball point pen bought from an urchin at a traffic signal, silly notes from teen besties, a laterite stone picked up from Masai Mara, old letters from friends and acquaintances, a now friable oily piece of paper napkin scribbled with lines from four friends recording their getting drunk at a pub, love letters from aeons back......all worthless, all precious........

....and along with all that, a letter in a white envelope addressed to Dr Aibee!

I turned it over. The sender's name was scrawled at the back: XX Mary Hxxxxx, XY, Manipur.

And in an instant I was back, back into the deep bosom of this Far East state, to my little OPD under an asbestos roof with the huge banyan tree standing guard outside. Rows and rows of local Kuki women and children were queuing up for a consult, ambulances plied in and out belching smoke and clatter, medical assistants rushed past, shouting pulse and blood pressure readings of patients at me, children fearful of injections and bitter medicine bawling endlessly..... My ears buzzed with all the commotion......

But in that ocean of chaos, there was one single steadfast island of calm. There was Mary : Smt XX Mary Hxxxxx, female attendant, OPD sahayika and currently right hand woman of Dr Aibee.

Every morning when I landed up at the OPD, Mary would be there by the clinic doorway, palms crossed in front politely. 'Good Morning Madam!' she'd smile at me, her 'madam' pronounced like in the original French, a way mostly all NorthEasterners do, the 'd' of 'madam' more like a द rather than a ड.

Inside, my desk would be spotlessly clean, not a speck of dust anywhere, my tools of trade placed just the way I liked them. And the icing on this cake of order would be a tiny metallic vase filled with flowers.

Mary set this flower arrangement freshly everyday, with flowers she picked from the hospital garden; simple marigolds, hibiscus, periwinkle, sometimes zinnias and during winter maybe a some bright purple larkspur. And it would not be only flowers. She always placed some foliage too, her own special artistic touch.

And through the entire morning, she would be at my side, guiding patients, ferrying office paperwork, acting interpreter, assisting is preparing women patients I wanted to examine, tying the cuff of the blood pressure instrument.....all performed with a calm, silent professionalism that I admired terribly. At times when the patient rush would be too much, all crowding at the entrance and trying to enter all at once, Mary would stand at the doorway like a fierce little bouncer, regulating the flow of patients with a firmness that belied her diminutive frame.

She had a soft voice yet never raised it; somehow she never did need to, her calm presence being enough to ease both harried patient and staff. She usually kept to herself, never engaging in frivolous chatter with other staff; yet they all respected her and gave her a regard that ordinarily they would never give a mere patient attendant. But then that was the magic of Mary.

On lighter days, we'd get talking and I came to know that her husband was retired and she had two grown up daughters. She'd invite me over to her home but that never did materialize, something I regret deeply as I write this.

I can still picture her vividly, a tiny woman, frail framed, middle aged face lined with a thousand wrinkles, dark coloured phanek skirt, light coloured blouse, hair tied back neatly and a piece of cloth worn like a dupatta or aanchal in deference to modesty......all spotless, creaseless, immaculate......

We became close, an unlikely comradeship, she 'just' a lady attendant, me 'Lord' of the OPD....but then that's how things were. Then one day, returning from leave, I found that the hospital 'powers-that-be' had replaced Mary with another woman. I was furious and this fury was fuelled by the fact that this new person was adept at inefficiency. I desperately missed Mary's quiet presence and her silent efficiency but there was nothing that I could do. When I enquired around as to why she had been removed, I was told that her husband had been arrested because he was found to have links with unsavoury persons. I ranted as to how this affected her functions at our little hospital, given that she was not her husband, but being the youngest in the hospital, no one paid me any heed. And so perforce, I had to put up with the new completely unsuitable lady attendant.

I missed Mary and so did my staff and most of all I missed the flowers on my table every morning. The new lady attendant though inept, tried very hard to please me and so, one day, I told her of the flowers that Mary would put on my desk. The woman obligingly placed a vase of fresh flowers on my table the very next day but I had become so partial to Mary that I found myself actually comparing their flower arrangement techniques....And when I communicated the same to this new woman ( I know, my bad!) I could see the loss of morale in her eyes....

One afternoon after a particularly hectic OPD, I was delighted to find Mary at my doorway. I welcomed her in, offered her tea and of course eagerly enquired of her affairs. She had only one request to make: with her husband in jail, his pension stopped and two daughters in college, she was finding it very difficult to make ends meet. Could मदाम help?

Mary's eyes haunted me that whole week. She had looked gaunt, her wrinkles more hollowed than ever, her always neatly tied hair askew, her phanek shabby and she herself smelling of sweat and despair. Though she still spoke in her quiet soft voice, desperation tinged its edges.

But what could little Dr Aibee do?

Then, I did do something, something that was and still is, way out of my usual comfort zone: I used a सिफारिश. I had had to really conquer a lot of mental barriers and break some personally set up ethic codes but because it was Mary, it had to be done.

Thankfully, it worked. The right strings were pulled, subtly and gently and in a few days, Mary was back at the clinic door and so was the vase of flowers on my desk.

I came back to the letter in my hands. Its from Mary, written a few years after I had left the hospital. Its on a piece of paper from an exercise copy, in Hindi Devanagari. Even today, I am as amazed as I had been so many years back on receiving the letter because I had never imagined Mary being Kuki, could write in Hindi. But then, I shouldn't have been surprised for, after all, Mary was Mary.

The letter had been accompanied by a pair of baby blue pillow cases, a gift from her. I had treasured these cases and used them with such ferocity that they had soon worn out and had to be discarded. But the letter had remained, intact, inside my little box of treasures.

I sat with the letter on my lap, thinking about Mary from two decades back, thinking of what she taught me, this little Kuki woman from so far away. And it came to me that Mary had taught me the enduring value of dignity. She had been an example of an old virtue we are all explained as children, that no job is small or menial or without value if done with honesty and dignity.

Mary had ended her little letter, 'Aibee Madam, I will pray that you always prosper, both in your personal life and in your career..........."

Mary, I don't think I've exactly 'prospered' in my home and my career; but you'll understand and you'll be glad to know:
I've tried my best nevertheless to infuse both with honesty and with dignity.

Just like you.



Thursday, 6 April 2017

Of Mildly Morbid Musings at Midnight..


Have you ever gone under the knife?

I myself never had and thus it was a first for me.

Clad in a weird red and white striped shapeless costume they called the OT 'gown', I waited in the doctors' chamber adjacent to the actual operation theatre. This was just a special privilege granted to me being a doctor myself, unlike the lesser patients, mere laymen.

Doctors of various shapes and sizes popped in and out, chatting, laughing, cribbing, joking, arguing....

It felt surreal. It felt like I was soon to go up on stage for a performance in which I was just a non-living prop.
So that's why they call it a 'theatre', I told myself.

In between, a distinguished and portly gentleman strolled in and announced casually to me: 'Hi! I'm Dr ......., your anaesthetist.'

I didn't know whether to stand up in deference, he being much senior fraternity or to remain sitting, playing the patient card. I opted for the latter, mainly because I was petrified that if I stood, there was risk of a serious wardrobe malfunction.

Soon it was time to go up onto the stage.
A young woman resident rolled out a rickety wheelchair for me and I entered the theatre on this royal but creaky chariot.

I walked the last few steps to the OT table and then hoisted myself onto it as gracefully as was possible in that red white costume that tangled very ungracefully around my ankles. But I needn't have bothered with grace and charm, because no one seemed to be interested in me, not in the least concerned that the main character of the current play had arrived.

Then another young woman, very confident, an anaesthesia resident took pity and began paying me some attention. Soon my head was placed on a block, both my arms laid straight and wide extended by my side. Bottles of fluid were hung around, my costume unceremoniously replaced by, I think, pieces of white and green drapes. Then, my surgeon sauntered in, Hitler moustache twitching on his sternly handsome face, head encased in that funny fastfood-joint-waiter cap.

So, the play was about to commence, the curtains would soon go up.......!

I felt very calm. Strangely calm, even without any sedative or anxiety-killer medication.No racing heart, no anxious thoughts, no dry mouth......

Now I wonder: do prisoners on death row feel a little like I felt: empty of all emotions, brain silent, like a prop without soul?

Then they began pushing in the anaesthetic drugs one by one; first the G.....Suddenly my heart began thumping like a race horse on amphetamine, thugh thugh thugh thugh....it felt as if a curtain with beads of ice cubes was slowly descending down my chest....

Next, the F....
'Ma'am you'll become sedated.' the resident informed me graciously. I was all supercilious and full of medical knowledge,
"Yes, yes I know....."

I found myself telling myself, 'Now that you're going to be sedated, close your eyes.'

I took a glance at the creamish white ceiling and closed my eyes.

I opened my eyes to chattering voices. I recognised Other Half's deep bass announcing the details of the surgery. And I realised with a bang that my Play was over.

My surgery and recovery had taken about two hours plus. I think back to that time and I realise that I have absolutely no memory, no feeling, no inkling of these nearly hundred and fifty minutes of time that had passed between that closing and opening of my eyes. Its a complete, unblemished blank.

From my medical experience, I can picture it all: me lying motionless on a narrow steel table, unclothed, just covered in voluminous drapes, extended arms strapped, head held between guillotine blocks with a plastic pipe down my throat going nearly up to my lungs, tubes poking inside veins and other unmentionables as masked surgeons delve within my innards. But that's just a picture I've made up, imagined. I have no memory of it.

Of course I know that's what effective anaesthesia is all about, complete un-awareness, analgesia and amnesia!!! Still, I find it a bit strange that those two plus hours of my life have no record in my brain, not even in its subconscious. It's as if I simply ceased to exist. Yes, my body was fully on duty, my heart, lungs, blood all functioning to their optimum. But that Me as I know her was just not there. And no, it was not like being asleep because when in sleep you dream (at least I do, prolifically) and when you wake up you are subconsciously aware that you were asleep. But this general anaesthesia thing was something totally in a different league.

As I said before it was as if me, Aibee, was not there anymore- till I came back, just at the point that I became aware that I had opened my eyes.

So where had I been? From where was it that my Me had come back?

From my medical knowledge, I know that I had not really gone anywhere; it was just that parts of my brain had been made to switch off with a clever cocktail of drugs.

So, that leads me next to wonder: is this like dying?

Is this what happens right at that specific point of time when one's Life ceases to be?

If it is, then you know, I feel there's really nothing much to worry about of that mysterious phenomenon called Dying. It would all be very easy, quite uncomplicated and a graciously unemotional business:-

Now you're here.
Then...., you're not.

The masked waitress had placed a wooden tray with three little black porcelain bowls: one, the staple green chillies in vin...